Mesiah Music School

Prospectus and Syllabus

BE A GREAT MUSICIAN WITHIN 7 DAYS, SPEND $ 1000 ONLY, CHERISH WITH FREE INDIAN FOOD AND FREE ACCOMMODATION Section -i Preliminary Mesiah Music Mesiah School ofMusic

Prospectus and Syllabus

section -i preliminary mesiah music the music courses we conduct is unique and we assure that no such a vast deep studied music course is conducted in anywhere in this universe. so before sending application everyone should go through carefully the syllabus of the preliminary , and advanced mesiah music courses which we are conducting. the contents of the mesiah school of music includes the latest developments of our school and the syllabus which one should go through in the first year course duration. we send study materials through, e. commerce, postal and other available means which is under the discretion of our directorate 's convenience. the course materials will be send only one month after received the prescribed fees. there are 24 cds we supply for the 1st year course . each cd contains lectures, descriptions and demonstrations of the lessons given below

1st Month

THEORY

Genesis of Music, Various Systems of Music, Greatness of Music ,Sound , Vibration, Nadham, Pitch, Shruthi, Sounds of Music. Staff notation, Signatures, Notation, Ties , Clef, Treble Clef, Base Clef, Leger Lines, Bar, Double Bar, Rests.

PRACTICAL

Exercises !-!5 , Saralivarishakal. The method of writing staff notation, positions, Léger lines, BASIC SCALE, Playing of exercises in MESIAH-29 DAVID SCALE, similarity of C-MAJOR SCALE, SHANKARABHARANAM of Carnatic Music, and BILAVAL DHAT of Hindhustani Music. Modes of Arabic Music. Vocal practice of the Saralivarishakal along with instrumentation.

2nd Month

THEORY

Modes, Major Scales, Gramom, Dhat, PRINCIPAL SCALE, MESIAH-15 SOLOMON Scale, C-Major, D-Major, E -Major- Major, G major, A-Major, B-major Scales , Sharp , Flat, Double Sharp, Double Flat, Natural Steps, Whole Step, Half Step, Tone, Semitone, Great Staff Notation ,Interval, Principles of various Scale Formations, Major Scales, Minor Scales, Harmonic Minor, Melodic Minor. Chromatic Scale Consonance and Dissonance, Diatonic Scales, Octave,

PRACTICAL

Practice of Exercises Jundavarishakal 1- 11.Demonstrtion of Modes, Major Scales, Gramom, Dhat of Hindustani Music, Vocal and Instrumental practice of Jundavarishakal,The Method of singing its importance in the development of vocal chords, Purification of air inhaling, Some Healthy practices of Lunges and Upper respiratory tract. Purification of sound.

3rd Month

THEORY

Western Major Scales, __C# Major, D# Major, F# Major, A# Major, B# Major-The theories of its formation. MESIAH -65 MOSES SCALE, its times of application, Mood creations, and its similarity with Mecha Kalyani Raga of Carnatic Music, and Yamen Dhat of Hindustani Music .Basic theories of 72 MESIAH SCALES and MARIA SCALES its similarity with that of Melakartha Ragas of Carnatic Music and 10 Dhats of Hindustani Music. Janya Raga and Janaka Raga of Carnatic Music. The Theories of Rhythm ,Beat, Regular Pulse, Accent ,Meter, Recurrent Beat, Thalams -Druvathalam, Matyathalam, Roopakathalam, Thampathalam, Thripudathalam, Adathalam, Ekathalam.

PRACTICAL

Practice of Exercises-Dhat Varishakal , Melstai Varishakal, Madyastai Varishakal, Instrumental and Vocal Practice of Exercises. Demonstration and Practice of the method of playing Rhythm, Thala demonstration,the importance of Rhythm structure in mood creation. Notation writing of the studied lessons.

4th Month

THEORY

WESTERN MINOR SCALES _C Minor, D Minor, E Minor, F Minor, G Minor , A Minor, B Minor. MESIAH-20-JOB SCALE or Nadabhyravi Raga of Carnatic Music or Asavari Raga of Hindustani Music and its Pitch variations. Harmonic Minor, Melodic Minor Scales ,Intervals Perfect Interval, Major Interval, Augmented Interval, Minor Interval, Diminished Interval, Key Signatures. Dynamics-Pianissimo, Piano, Messo piano, Forte, Messo forte, Fortessimo and its Symbols in writing Staff Notation. Rhythms of Western ,Carnatic and Hindustani Music.

PRACTICAL

Practice of Alamkarems -Thisrajathi Druvathalam, Thisrajathi Matyathalam, Thisrajathi Roopakathalam, Thisrajathi Thampathalam Thisrajathi Adathalam, Thisrajathi Thripudathalam. Practice of Major and Minor scales, Vocal training in Nadabhairavi Raga and singing above learned exercises in Mayamalava Gowla Raga. Exercises of Chathureshrajathi Druvathalam, Chathureshrajathi Matyathalam, Chathureshrajathi Thampathalam, Chathureshrajathi Thripudathalam ,Chathureshrajathi Adathalam, Chathureshrajathi Ekathalam

5th Month

THEORY

Western Minor Scales C# Minor, D# Minor, F# Minor, G# Minor, A# Minor. MESIAH-22-SAMUEL SCALE, Its similarity with Karaharapriya of Carnatic Music and Kafi Dhat of Hindusthani Music. MESIAH 28-ABRAHAM SCALE , Its similarity with that of Harikamboji of Carnatic Music and kamaj dhat of Hindusthani music MESIAH-8-ABEL SCALE its similarity with Hanumathodi Raga of Carnatic Music and Bhairavi Raga of Hindustani Music. CHORDS -Different types of Chords- Primary Chords, Tonic Chords, Supertonic Chords, Mediant Chords, Subdominant Chords, Dominant Chords, Submediant Chords, Inversion Chords, Seventh Chords, Dominant Seventh Chord

PRACTICAL

Practice of Alamkarems Kantajathi Druvathalam, Kantajathi Matyathalam, Kantajathi Roopakathalam, Kantajathi Thampathalam , Kantajathi Thripudathalam, Kantajathi Adathalam , Kantajathi Ekathalam, Exercises of Minor scales C# Minor, D# Minor, F# Minor, G# Minor, A# Minor, and the method of playing MESIAH-22-SAMUEL SCALE, MESIAH-28-ABRAHAM SCALE, and MESIAH-8-ABEL SCALE its times of application, Ornaments. The method of making Chords and its evolution.

6th Month

THEORY

The Theories of Playing Song. Using Chords in Songs. Application of previously studied lessons in musical compositions. Harmony, Melody playing. Cadence, Perfect Cadence, Authentic Cadence , Plagel Cadence, Imperfect Cadence, Interrupted Cadence. Motions, Contrary Motions, Parallel Motions Passing Note, Figured Bass, Arppegio. Modulation, Sequence, Real Sequence, Harmonic Sequence

PRACTICAL

Exercises of songs , Application of studied lessons in songs. How to Compose songs, the various methods of composing songs. Notation writing of songs. Selection of Rhythms in simple compositions. Selection of appropriate Scales in song composition Some tips of Choir conducting . Selection of singers for Choral singing . CONCLUSION OF PRELIMINARY MESIAH MUSIC

Advanced Mesiah Music

Section 2

ONE WHO COMPLETED SECTION -1 PRELIMINARY MESIAH MUSIC IS ELIGIBLE TO ADMIT IN SECTION -2 ADVANCED MESIAH MUSIC COURSE.

1st Month

THEORY

Theories of construction MESIAH SCALES, MARIA SCALES. The similarities of MESIAH SCALES with Melakartha Ragas of Carnatic Music and 10 Dhats of Hindustani Scales. Notation writing of MESIAH SCALES and MARIA SCALES. Pitch variance and scale changes, Shruthibhatem.The CARDINAL SCALES, MESIAH 29-DAVID SCALE, MESIAH15-SOLAMON SCALE, MESIAH 22-SAMUEL SCALE, MESIAH 8- ABEL SCALE, MESIAH 65-MOSES SCALE, MESIAH 28-ABRAHAM SCALE, MESIAH 20-NOAH SCALE. Major qualities of Cardinal Scales.

PRACTICAL

Practice and playing Techniques of Cardinal Scales,Exersises of Mishrajathi Druvathalam, Mishrajathi Matyathalam, Mishrajathi Roopakathalam, Mishrajathi Thampathalam, Mishrajathi Thripudathalam, Mishrajathi Adathalam, Mishrajathi Ekathalam. Shruthibhetham and its application in big composition like Ragamalica, and the Technique of Modulation. Cadence and its material applications. The methods and importance of Maria Scales, some demonstrations about it.

2nd Month

THEORY

Important Scales- Brief description, PRINCIPAL SCALE- MESIAH 15 -SOLOMON SCALE its importance in vocal training of Classical and Light music performances. Important Secondary Scales-MESIAH 1-ADAM SCALE, MESIAH 51-DANIEL SCALE, MESIAH 45-JOB SCALE, MESIAH 53- SIRACHI SCALE, MESIAH 16- JOSHUA SCALE, MESIAH 57 - ELIJAH SCALE , MESIAH 52 - PHENEHAS SCALE, MESIAH 63 -ELISHA SCALE MESIAH 56- JACOB SCALE , MESIAH 26 AARON SCALE, MESIAH 27-JAPHTHA SCALE, MESIAH 9 MELCHIZEDEK, MESIAH 64-TOBIT SCALE, MESIAH 23-BENJAMIN SCALE, MESIAH 21-SAMSON SCALE.

PRACTICAL

Exercises of Sankeernajathi Druvathalam, Sankeernajathi Matyathalam, Sankeernajathi Roopakathalam, Sankeernajathi Thampathalam, Sankeernajathi Thripudathalam, Sankeernajathi Adathalam, Sankeernajathi Ekhathalam. Demonstration of MESIAH 1 - ADAM SCALE, MESIAH 9-MELCHIZEDEK SCALE, MESIAH 16 JOSHUA SCALE, MESIAH 21 -SAMSON SCALE, MESIAH 23 BENJAMIN SCALE, MESIAH 26 -AARON SCALE, MESIAH 27- JAPHTHA SCALE, MESIAH 45 -JOB SCALE, MESIAH 51-DANIEL SCALE, MESIAH 52 -PHENEHAS SCALE, MESIAH 53 -SIRACHI SCALE, MESIAH 56- JACOB SCALE, MESIAH 57 - ELIJAH SCALE, MESIAH 63 - ELISHA SCALE, MESIAH 64-TOBIT SCALE

3rd Month THEORY

MARIA SCALES-- St. Peter Scale, St. Johns Scale, St. Andrews Scale, St. Jacobs Scale, St.Judes Scale, St. James Scale, St Thomas Scale, St. Nathaniel Scale, St .Mathews Scale , St. Simon Scale, St. Philips Scale, St Mattathis Scale. Special Signs used in Staff Notation. Staccato, Legato, Crescendo, Diminuendo, Repeat, Pause ,Accend, Pedal, Ornaments, Turn, Mordent, Trill, Acciaccatura. Major Classification of Scales.

PRACTICAL

St.Thomas Scale, St.Nathaniels Scale, St.Mathew Exercises of previously learned lessons in ''A'' kara, "E" kara, "O" kara, "OO" kara Vocal practices. Various Tempo practices, 1st.Kala, 2nd. Kala, 3rd.Kala, 4th.Kala practices in both Vocal and Instrumental practices. Practice of playing Maria Scales ,and the method playing, St. Peters Scale, St.Johns Scale, St.Andrews Scale, St.Jacobs Scale, St.Judes Scale, St.James Scale, St. Simons Scale, St. Philips Scale, St .Mathews Scale. Some songs . 4th Month

THEORY

Musical forms- Allamande, Angalaize, Answer, Aria, Augmentation, Ballad, Ballade, Berceuse, Binary Form, Borrec, Cantata, Canta Fermo, Canzona, Cavatina, Codetta, Concertante, Concerto, Concerto Grosso,Courantus, Eccossaize, Fantasia, Finile, Folk Song, Fuge, Galliard, Gavotte, Gigue, Glee, Hon pipe, Hymn, Imitation, Intermezzo, Invention, Loure, Liberetto, Opera- Grand Opera, Light Opera, Oratoria, Overture, Passepied, Paven, Plain Song, Polacca, Prelude, Reel, Recital, Rhapsody, Rondo, Round Song, Ragtime, Sarabande, Scherzo, Scottische, Score, Septet, Spiritual, Siciliano, Sonata, -1]Exposition 2] Development, 3] Recapitulation, Sonatina, Suite, Symphony, Tarentella, Tenery Form, Tetra Chord, Theme, Unison, Waltz, Orchestra - Small Orchestra, Large Orchestra.

PRACTICAL

Composition of Songs using Various Scales and writing of Notations

5th Month

THEORY

Forms of Classical compositions- Ragam -Thanam -Pallavi, Ragalapana, Samgraha Alapana, Sampoorna Alapana, kalpana swarem, Anulomam-Prehilomam. Kalpitha Sangeetham, Geetham, Swarajathikal, Varnam, Thanavarnam, Padhavarnum, Dharuvarnam, Keerthanam, Krithikal, Ragamalika, Javali, Thllana, Mudhra

PRACTICAL

Some composition practices of various forms of music. Song recording. Pattern Recording 7th Month

THEORY

Tips of Good compositions, Ornaments in Classcal Compositons,Life History of Famous Musicians.Selection of Scales to create various emotions .

Art of Choir Conducting,and Mesiah Music Therapy

PRACTICAL

METHODS OF PLAYING MUSIC TO RELIEVE DISEASES LIKE HYPERTENSION, DEPRESSION, MOOD DISORDERS, RELIEVE PAIN, N.B ALL STUDENTS SHOULD COMPLETE THEIR RECORD AND SUBMIT TO THE DIRECTOR , MESIAH MUSIC SCHOOL EXAMINATION - MARKS WILL BE AWARDED ONLY AFTER VALUING THE RECORD.

CONCLUSION OF ADVANCED MESIAH MUSIC

BE A GREAT MUSICIAN WITHIN 7 DAYS

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